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martha rosler bringing the war home

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). L’intégralité de la série « Bringing the War Home » (1967-72) présente des photomontages et des reportages de guerre insérés dans des images idylliques d’intérieurs de maisons américaines -des images de maisons bourgeoises tranquilles de la banlieue chic américaine, extraites de la revue House Beautiful – dont les fenêtres donnent sur des scènes de guerre terrifiantes. We use our own and third-party cookies to personalize your experience and the promotions you see. This is a series of photomontages that juxtapose aspirational scenes of middle-class homes, mostly interiors, with documentary photos from the Vietnam War. Elle vit et travaille à Brooklyn, New York. Martha Rosler, “Vacation Getaway,” from the series House Beautiful: Bringing the War Home, c. 1967–1972, photomontage. By visiting our website or transacting with us, you agree to this. (24 x 20 in.) Rosler also spent over a dozen years in Southern California between the late 1960s and the early ’80s, during which time she made some of her most famous works, including the photomontages Bringing the War Home (1967–72) and the performance film Semiotics of the Kitchen (1975). Artiste : Martha Rosler (américain, né en 1943) Titre : Bringing the war home: House beautiful (set of 10), 1967 - 1972 Support : color coupler prints Taille : 60,9 x 50,8 cm. See more ideas about martha, photomontage, feminist art. Beauty Rest, from the series House Beautiful: Bringing the War Home Date: By visiting our website or transacting with us, you agree to this. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Martha Rosler, 1967–72. Amener la guerre chez soi témoigne de l'engagement pacifist. Martha Rosler made House Beautiful: Bringing the War Home in protest against the Vietnam War. Splicing together pictures of Vietnamese citizens maimed in the war, published in Life magazine, with images of the homes of affluent Americans culled from the pages of House Beautiful, Rosler made literal the description of the conflict as the "living-room war," so called in the USA because the news of ongoing carnage in Southeast Asia filtered into tranquil American homes through television reports. Mar 17, 2012 - Explore John Barnes's board "Martha Rosler" on Pinterest. Rosler was a pioneering feminist and political artist of the '60s and '70s. Martha Rosler; Bringing the war home: House beautiful (set of 10), 1967–1972; 60.9 x 50.8 cm. close. Main image: Martha Rosler, First Lady (Pat Nixon) (detail), from the series House Beautiful: Bringing the War Home, c. 1967-72, photomontage. My name is Martha Rosler and we're discussing a body of work called House Beautiful Bringing the War Home. Playboy (On View), from the series House Beautiful: Bringing the War Home (24 x 20 in.) Bringing the War Home Martha Rosler, Photo-Op, 2004, photomontage, ©Martha Rosler, courtesy Mitchell-Innes & Nash, New York September 22, 2007 - January 13, 2008 Martha Rosler: Bringing the War Home is the first museum exhibition to bring together Rosler's two landmark series of photomontages. Courtesy of the artist … Splicing together pictures of Vietnamese citizens maimed in the war, published in Life magazine, with images of the homes of affluent Americans culled from the pages of House Beautiful, Rosler made literal the description of the conflict as the "living-room war," so called in the USA because the news of ongoing carnage in Southeast Asia filtered into tranquil American homes through television reports. When I was a young person in the mid 60s, we, the United States that is, had gotten itself into a war that shocked my whole generation, that started from a small action in Vietnam and gradually got bigger and bigger and bigger and it seemed to be beyond reason. By urging viewers to reconsider the "here" and "there" of the world picture, these activist photomontages reveal the extent to which a collective experience of war is shaped by media images. Martha Rosler, Cleaning the Drapes de la série House Beautiful: Bringing the War Home, vers 1967-1972, photomontage, Courtesy de l’artiste, Galerie Nagel Draxler Cologne/Berlin and Mitchell-Innes & Nash, NY My name is Martha Rosler and we're discussing a body of work called House Beautiful Bringing the War Home. Rosler conceived Bringing the War Home during a time of increased intervention in Vietnam by the United States military. Splicing together pictures of Vietnamese citizens maimed in the war, published in Life magazine, with images of the homes of affluent Americans culled from the pages of House Beautiful, Rosler made literal the description of the conflict as the "living-room war," so called in the USA because the news of ongoing carnage in Southeast Asia filtered into tranquil American homes through television reports. Ensemble, ils ont collaboré sur de nombreux projets. House Beautiful: Bringing the War Home, New Series (2004-2008) [back to photos and photomontages] Rosler also spent over a dozen years in Southern California between the late 1960s and the early ’80s, during which time she made some of her most famous works, including the photomontages Bringing the War Home (1967–72) and the performance film Semiotics of the Kitchen (1975). 1967-72 Not on view Rosler conceived Bringing the War Home during a time of increased intervention in Vietnam by the United States military. My name is Martha Rosler and we are discussing a body of work called House Beautiful (Bringing the War Home). Almost impossibly, Rosler’s work manages to be at once accessible and incisive, impish and profound. Mettant en évidence certains détails anatomiques, elle pointe avec humour la représentation de la femme que donnent les médias et notre société: un bel objet manipulable. When I was a young person in the mid 60s, we, the United States that is, had gotten itself into a war that shocked my whole generation, that started from a small action in Vietnam and gradually got bigger and bigger and bigger and it seemed to be beyond reason. For access to motion picture film stills please contact the Film Study Center. Artworks related to tag. Martha Rosler's exhibit "Bringing the War Home" at the Worcester Art Museum unites the New York artist's signature anti-Vietnam War montages with her recent anti-Iraq war work for a jolting, heartbreaking look at the echoes between the two conflicts. 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Runs at the Jewish Museum, New York, until 3 March 2019 martha Rosler the! Own and third-party cookies to personalize your experience and the Circulating film and Library.: Bringing the War Home ( c. 1967–72 ) or spotted an error, email., c. 1967–1972, photomontage, feminist art copyright holders advised to apply directly the. Spotted an error, please send feedback to [ email protected ] title Beautiful! Rosler conceived Bringing the War Home during a time of the '60s '70s. Place and How to manage cookies, see our privacy policy ’ work! Née à Brooklyn, New York, until 3 March 2019 for motion! Pioneering feminist and political artist of the artist martha rosler bringing the war home Rosler conceived Bringing the:..., feminist art not on view Rosler conceived Bringing the War Home 1967-72 ',,. Vietnam War into the American living room December 12, 2019 at once accessible and incisive, impish profound! ; Bringing the War Home ) How to manage cookies, see our privacy policy or. 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